fashion-runways:

Monique Lhuillier at New York Fashion Week Spring 2015

dailyactress:

Emma Stone - ‘Birdman’ premiere 71st Venice FF in Venice, Italy 08/27/14

dailyactress:

Emma Stone - ‘Birdman’ premiere 71st Venice FF in Venice, Italy 08/27/14

fashion-runways:

Cushnie et Ochs at New York Fashion Week Spring 2015

-eliesaab:

Elie Saab Haute Couture F/W 2014-2015

burntcopper:

itscolossal:

City Light Scarves by Slow Factory in the Colossal Shop. USA / London / Paris / New York

@dduane you DID NOT SEE THIS.  move along.  nothing to see.

fashion-runways:

Elie Saab at Couture Spring 2011

fashion-runways:

Elie Saab at Couture Spring 2011

(Source: nofatnowhip)

lillyandleopard:

Brenna Lyden, Chic Street Style
luckymag:

50 Show-Stopping Gowns You Can Expect To See On The Emmy Red Carpet »
fashion-runways:

Rami Kadi 2013 Le Gala Des Mystères Collection

fashion-runways:

Rami Kadi 2013 Le Gala Des Mystères Collection

fashioninhistory:

Bodice
Autumn/Winter 1980
Issey Miyake 
Beautiful woman’s torso becomes a bodice. This super realistic expression was realized by taking a cast of a body with the help of a mannequin manufacturer. Although it covers the body, at the same time it makes us conscious of the body’s existence, and it even stirs a feeling of voluptuousness engendered by the contrast between the inorganic plastic and the suppleness of the wearer’s body. This is one of Miyake’s best-known works. 
This work was shown at the finale of the autumn/winter Paris collection in 1980, marking the start of the body-conscious fashion at that era. Miyake introduced a series of works including a bustier made of rattan and vinyl in 1982 and his “Silicon Body” in 1985. These works were the main exhibits in the “Issey Miyake Bodyworks” exhibition, which toured worldwide from 1983 to 1985.

fashioninhistory:

Bodice

Autumn/Winter 1980

Issey Miyake 

Beautiful woman’s torso becomes a bodice. This super realistic expression was realized by taking a cast of a body with the help of a mannequin manufacturer. Although it covers the body, at the same time it makes us conscious of the body’s existence, and it even stirs a feeling of voluptuousness engendered by the contrast between the inorganic plastic and the suppleness of the wearer’s body. This is one of Miyake’s best-known works.

This work was shown at the finale of the autumn/winter Paris collection in 1980, marking the start of the body-conscious fashion at that era. Miyake introduced a series of works including a bustier made of rattan and vinyl in 1982 and his “Silicon Body” in 1985. These works were the main exhibits in the “Issey Miyake Bodyworks” exhibition, which toured worldwide from 1983 to 1985.